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The best detective in Germany meets his match—and his ruin.

Frevel (1984)

Psychological chess matchSlow-burn obsessionGerman new wave grit

Overview

DramaCrime

A detective with the highest clearance rate in the country, gets involved in a case with a young woman arrested for having killed her child. The detective falls under the spell of the young woman.

Flag of DEDEGerman
Content warning
Obsession and professional corruptionMaternal violence and societal judgmentTruth versus compelling liesMasculine ego fragility

Standout Aspects

Acting

Stute's magnetic ambiguity—did she or didn't she? You'll switch sides seven times.

Direction

Fleischmann directs himself into obsession; the meta-layer crackles with uncomfortable intimacy.

Best for:Solo: Late night, lights off, no interruptions. This demands your full trapped attention.·Streaming: Arthouse discovery for patient viewers who like their cop stories morally filthy.
Heads up:Disturbing: Child death discussed in detail; the film never flinches from maternal violence.
Peter Fleischmann

Director

Peter Fleischmann

ReleasedJun 29, 1984
0
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy

Top Cast

Peter Fleischmann

Peter Fleischmann

Lohmann

Isolde Barth

Isolde Barth

Gilla

Balduin Baas

Balduin Baas

Duerkheimer

Horst Kummeth

Horst Kummeth

Vesselitz

Axel Olsson

Axel Olsson

Opferstock

Tamara Geva

Tamara Geva

Bardame

Ask about Frevel

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Frevel arrived as the New German Cinema was collapsing; Fleischmann's TV pivot after this theatrical flop explains its rough-edged ambition.

Insight

The title translates to 'Sacrilege' or 'Desecration'—not of the child, but of Lohmann's sacred belief in his own judgment. The real victim is his professional identity.

Gallery

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