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Never a Foot Too Far, Even discussion

2012

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Never a Foot Too Far, Even discussion

2012

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About this title

Never a Foot Too Far, Even

2012 · 14m · Released

Appropriating a brief fragment from a 35mm print of an old Kung Fu movie, Never a Foot Too Far, Even is an action movie without action. Presented in double-projection, with images from two separate rolls overlaid to form a single image, this film focuses on an obscure figure finding himself in a forest path, caught between perpetual motion and stasis. The painterly images fluctuate in the complex shifting of color and texture, phasing in and out through a polymetric structure. It is a perceptual journey without destination in the turning sphere of ever-changing image and sound, whose beginning and end move in parallel towards a fleeting point of convergence. The palindrome of the title alludes to the structure of the film based on various combinations of a series of recurring sequences that move forward and in reverse simultaneously, defying the usual sense of progression. With original sound composition by Malcolm Goldstein.

Director

Daïchi Saïto

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Newest first

Sign in to join the discussion — comments are spoiler-gated to your watch progress.

Start the conversation

No comments yet. Sign in to be the first — pick a prompt to get started.

About this title

Never a Foot Too Far, Even

2012 · 14m · Released

Appropriating a brief fragment from a 35mm print of an old Kung Fu movie, Never a Foot Too Far, Even is an action movie without action. Presented in double-projection, with images from two separate rolls overlaid to form a single image, this film focuses on an obscure figure finding himself in a forest path, caught between perpetual motion and stasis. The painterly images fluctuate in the complex shifting of color and texture, phasing in and out through a polymetric structure. It is a perceptual journey without destination in the turning sphere of ever-changing image and sound, whose beginning and end move in parallel towards a fleeting point of convergence. The palindrome of the title alludes to the structure of the film based on various combinations of a series of recurring sequences that move forward and in reverse simultaneously, defying the usual sense of progression. With original sound composition by Malcolm Goldstein.

Director

Daïchi Saïto

View full details