Discussion

Soft Materials discussion

2005

0 comments

TMB

Track, discover and find where to watch TV shows and movies.

Discover

Movies
TV Shows
Browse
Topics

Account

Watchlist
Watched
Ratings

Legal

Privacy Policy
Terms of Service
Content Policy

Data provided by TMDB

Home

Browse

Watchlist

Back to Soft Materials

Discussion

Soft Materials discussion

2005

0 comments

Newest first

Sign in to join the discussion — comments are spoiler-gated to your watch progress.

Start the conversation

No comments yet. Sign in to be the first — pick a prompt to get started.

About this title

Soft Materials

2005 · 10m · Released

“What fascinates me [about film],” says Daria Martin, “is the essential contradiction of the medium: its layered ephemeral and sensual aspect, its articulation of psychological projection together with a necessary physical realization of fantasy. The camera, circling around or brushing close to constructed sets, props, faces, and bodies, caresses these material elements, intimately describes their sculptural surfaces, and yet, paradoxically, when these images are projected as a beam of light, they become transparent, their heft subtracted. I want to play at seducing the viewer while allowing escape routes from the game. My implementation of certain ideals – primary colors, mechanical or athletic bodies, geometric sets, smooth skinned faces – is always tempered by the presence of something a little more awkward: shadows, seams, aging, exhaustion.”

Director

Daria Martin

View full details

Newest first

Sign in to join the discussion — comments are spoiler-gated to your watch progress.

Start the conversation

No comments yet. Sign in to be the first — pick a prompt to get started.

About this title

Soft Materials

2005 · 10m · Released

“What fascinates me [about film],” says Daria Martin, “is the essential contradiction of the medium: its layered ephemeral and sensual aspect, its articulation of psychological projection together with a necessary physical realization of fantasy. The camera, circling around or brushing close to constructed sets, props, faces, and bodies, caresses these material elements, intimately describes their sculptural surfaces, and yet, paradoxically, when these images are projected as a beam of light, they become transparent, their heft subtracted. I want to play at seducing the viewer while allowing escape routes from the game. My implementation of certain ideals – primary colors, mechanical or athletic bodies, geometric sets, smooth skinned faces – is always tempered by the presence of something a little more awkward: shadows, seams, aging, exhaustion.”

Director

Daria Martin

View full details