

A group of Nobel laureates descends on Stockholm to accept their awards. Among them is American novelist Andrew Craig, a former literary luminary now writing pulp detective stories to earn a living. Craig, who is infamous for his drinking and womanizing, formulates a wild theory that physics prize winner Dr. Max Stratman has been replaced by an impostor, embroiling Craig and his chaperone in a Cold War kidnapping plot.
Acting
Newman's drunk act is performance art; Robinson plays two men with surgical precision.
Cinematography
Stockholm city hall and midnight sun—location shooting that actually matters.
Score
Jerry Goldsmith's first major thriller score—tense, brassy, unforgettably sixties.

Director
Mark Robson
Trivia, insights & behind the scenes
Screenwriter Ernest Lehman hated his own script so much he tried to remove his name; the novel's author Irving Wallace reportedly agreed.
Shot during the actual 1962 Nobel week with real laureates as extras—Craig's fish-out-of-water status mirrors the Hollywood crew crashing Swedish decorum.
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