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Greek exploitation cinema's most chaotic anti-hero asks: can love fix what heroin broke?
TMDB
54
IMDb
59
Google
94

The Jackals (1981)

sleazy neon pulpmorning-after regretcautionary fever dream

Overview

ActionDramaCrime

In a television program dedicated to the problem of drugs, George tells the story of his life which was immersed in the mire of drugs and crime. The troubled relationship with his family, robberies, drugs will revive and the narrative will give an answer to whether love can finally save.

Flag of GRGRGreek
Content warning
addiction as performancetoxic masculinity on filmredemption theater

Standout Aspects

Acting

Panos Mihalopoulos commits to every unhinged emotional spiral

Production

That TV framing device—meta before meta was cool

Costume

1981 Athens fashion as its own character

Best for:Solo: When you want to feel better about your own life choices·Rewatch: Spotting which scenes are genuine and which are pure camp·Friends: Irony-drenched viewing with someone who gets Greek cinema
Heads up:Drug Use: Graphic heroin use played for both horror and titillation·Violence: Robbery sequences with queasy intimacy
Giannis Dalianidis

Director

Giannis Dalianidis

ReleasedJun 7, 1981
Runtime1h 43m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelheavy
Giorgos Karagiannis & Co.

Top Cast

Panos Mihalopoulos

Panos Mihalopoulos

as Giorgos

Sofia Aliberti

Sofia Aliberti

as Athina

Stamatis Gardelis

Stamatis Gardelis

Fanis

Athina Tsilyra

Athina Tsilyra

Eleni

Yorgos Rigas

Yorgos Rigas

Loukas Leventatos

Pavlos Kontoyannidis

Pavlos Kontoyannidis

Alexandros Hronis

Melpo Zarokosta

Melpo Zarokosta

Eleni's Mother

Spyros Kalogirou

Spyros Kalogirou

Manolis Anastasopoulos

Ask about The Jackals

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Dalianidis directed this during Greece's metapolitefsi period, when commercial cinema exploited social issues for mass audiences. The TV documentary framing was ripped from actual anti-drug campaigns airing on Greek television.

Trivia

Sofia Aliberti was 16 during filming—her casting as the 'saving' love interest sparked controversy that arguably helped the film's notoriety.

Gallery

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