

Accused of a murder he didn't commit, a prosecutor sets out on a mission to clear his name.
Direction
Woo's operatic gunplay returns after Hollywood exile.
Cinematography
Osaka rain-soaked neon, every frame a wallpaper.
Stunts
Motorcycle chase through pharmaceutical hellscape.

Director
John Woo
Trivia, insights & behind the scenes
This was John Woo's first Japanese-language film and his return to the bullet ballet style after years in Hollywood purgatory.
The film bombed in Japan but found cult life in China, proving Woo's style travels better than his box office receipts.