It starts like a fairy tale: there is a queen, a king and their beautiful children, Pauline, Anaïs and Guillaume. But it's a little more complicated than that actually ...
Direction
Brisavoine's patient observation lets truth emerge organically
Writing
Dialogue that feels stolen from real life, not scripted
Editing
The cupboard metaphor pays off devastatingly well
Director
Émilie Brisavoine
Trivia, insights & behind the scenes
The documentary blurs line between consent and exploitation—Brisavoine is Pauline's cousin, raising questions about who owns this story.
The 5.4 rating reflects divisive reception: French critics celebrated its bravery while audiences found it cruel or voyeuristic.
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