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A 68-minute revenge fantasy where the 'wronged women' trope gets the pink film treatment.
TMDB
20

Rapewoman: Dirty Sunday (1981)

gritty exploitationfeminist rage (sort of)low-budget chaos

Overview

DramaCrime

A single woman starts receiving obscene phone calls at home. Feeling fearful she stays at the apartment of her best friend but somehow the pervert starts calling her there too. Feeling hopeless she gives in and agrees to meet at a restaurant. But when the woman and her friend arrive they discover it is managed by the man they both had relationships with. This was why they were let go from their previous jobs. They both decide it’s time for a little payback.

Flag of JPJPJapanese
Content warning
pink film

Standout Aspects

Direction

Uegaki crams sleaze and sisterhood into 68 relentless minutes.

Acting

Kazama's desperation-to-rage arc carries the entire film.

Best for:Solo: Weird cinema curiosity that demands private viewing with zero interruptions.·Streaming: Perfect for obscure film rabbit holes at 2am.
Heads up:Sexual Content: Persistent obscene phone calls and sexual coercion throughout.·Triggers: Workplace revenge porn dynamics and stalking as plot engine.
Yasuaki Uegaki

Director

Yasuaki Uegaki

ReleasedNov 13, 1981
Runtime1h 8m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelheavy
Nikkatsu Corporation

Top Cast

Maiko Kazama

Maiko Kazama

Naoko

Naomi Ito

Naomi Ito

Mari

Hōsei Komatsu

Hōsei Komatsu

Ishimoto

Takashi Naito

Takashi Naito

Ibuki

Akira Takahashi

Akira Takahashi

Taxi Driver

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Pink films of this era often used 'social problem' premises to justify nudity while skirting censorship; this one's telephone stalker plot mirrors real 1980s Japanese media panics about obscene calls.

Trivia

Director Yasuaki Uegaki later pivoted to mainstream comedy, including the 1990s hit 'Shall We Dance?'—making this early exploitation work a fascinating career bookend.

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