

In 1870s India, Charulata is an isolated, artistically inclined woman who sees little of her busy journalist husband, Bhupati. Realizing that his wife is alienated and unhappy, he convinces his cousin, Amal, to spend time with Charulata and nourish her creative impulses. Amal is a fledgling poet himself, and he and Charulata bond over their shared love of art.
Direction
Ray's camera movements—especially that swing sequence—are pure cinematic poetry.
Acting
Madhabi Mukherjee's eyes do more acting than most Oscar speeches.
Cinematography
Subrata Mitra's natural light makes 1870s Calcutta impossibly gorgeous.

Director
Satyajit Ray
Trivia, insights & behind the scenes
Ray considered this his finest work, though audiences initially found it too slow. The swing scene took an entire day to shoot for roughly 30 seconds of screen time.
Based on Rabindranath Tagore's novella 'Nastanirh' (The Broken Nest), the film captures the Bengali Renaissance's contradictions: progressive men who still couldn't see their own wives.