

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.
Acting
Marielle's sweaty desperation masks disturbing calculation.
Direction
Séria makes ugliness weirdly hypnotic, barely comic.

Director
Joël Séria
Trivia, insights & behind the scenes
Released during France's post-1968 sexual liberation hangover, when 'age of consent' debates were genuinely contested in mainstream cinema. The film's casual treatment of its subject matter reflects a specific cultural moment now deeply uncomfortable.
Jean-Pierre Marielle reportedly took the role precisely because it disturbed him — he wanted to explore how ordinary men rationalize monstrous choices. The beach scenes were shot in Brittany during an actual heatwave, adding genuine physical discomfort to Henri's dissolving composure.