A single hour of Manhattan chaos, shot in one breathless take.
One of the longest handheld tracking shots in film history, It’s Real documents an hour in the street life of downtown Manhattan. Not only is it a unique record of a particular time and place—July 26, 1990, from 3:45 to 4:45 p.m. in the Lower East Side near Robert Frank’s studio (we note in a Daily News headline that after some 20 years the Zodiac killer still hasn’t been identified)—it’s also an experiment in fragmentary language, gesture, and life caught unawares. Snippets of dialogue captured in passing at phone booths and crosswalks, in alleyways, subways, and diners—chance encounters, only presumably, with people going about their day—have something of the aleatory cut-up technique of the Dadaists in the 1920s and William Burroughs and Byron Gysin in the 1950s, an effort to divine new and deeper meanings in ordinary life. — Museum of Modern Art
Cinematography
Legendary 60-minute handheld shot through pre-gentrified Manhattan.
Direction
Frank's invisible presence lets chaos become composition.
Director
Robert Frank
Trivia, insights & behind the scenes
Robert Frank shot this near his own Bowery studio using a lightweight video rig—essentially stalking his own neighborhood.
The Lower East Side captured here vanished within years; this is essentially a ghost documentary of pre-gentrification Manhattan.
US
