

In Macao, where places of pleasure and arms trafficking are concentrated, a tragedy opposes an adventurer and his daughter whom he has brought up in ignorance of his profession. She is torn from her environment and saved from tragedy by a young journalist who loves her.
Acting
Hayakawa's simmering restraint versus von Stroheim's theatrical menace.
Production
Macao as imagined by French studios—pure fabricated Orientalism.
Direction
Delannoy's transition from poetic realism to studio-bound tension.

Director
Jean Delannoy
Trivia, insights & behind the scenes
Hayakawa, Hollywood's first Asian star, returned to France after racist typecasting; this role lets him embody dignity and moral complexity rarely afforded Asian actors in 1942.
Von Stroheim reportedly rewrote his own dialogue on set, because of course he did—his Werner von Krall became far more grotesque and strangely sympathetic than scripted.