

It’s 1948 and the Cold War has arrived in Chile. In the Congress, prominent Communist Senator and popular poet Pablo Neruda accuses the government of betraying the Party and is stripped of his parliamentary immunity by President González Videla. The Chief of Investigative Police instructs inspector Óscar Peluchonneau to arrest the poet. Neruda tries to escape from the country with his wife, the painter Delia del Carril, but they are forced to go underground.
Direction
Larraín turns a manhunt into meta-theatrical meditation
Acting
Gnecco's Neruda is monument and fraud simultaneously
Cinematography
Shadow-drenched Chilean landscapes that breathe noir

Director
Pablo Larraín
Trivia, insights & behind the scenes
Larraín calls this an 'anti-biopic' — Neruda's real 1948 manhunt lasted over a year and crossed the Andes on horseback, but the film invents Peluchonneau entirely to explore how legends devour reality.
This is part of Larraín's unofficial Chilean trilogy with 'No' and 'Post Mortem,' all examining Pinochet-era memory through genre subversion — here, noir becomes the language of political haunting.