

A young boy and his sister are drawn into one man's obsessive pursuit of his former lover.
Acting
Weisz weaponizes vulnerability before she was famous.
Direction
Winterbottom's restless camera invades every private moment.
Score
Adrian Johnston's melancholic guitar haunts the entire film.

Director
Michael Winterbottom
Trivia, insights & behind the scenes
Winterbottom shot this immediately after Welcome to Sarajevo, using some of the same Balkan crew and locations for the Brighton-set film.
This bombed so hard in 1998 that it became a rare Weisz performance — overshadowed by her blockbuster turn months later in The Mummy.
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