

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.
Direction
Andersson's static tableaus feel like trapped memories.
Cinematography
Pale, painterly frames you could hang in a museum.
Writing
Dialogue so deadpan it hurts.

Director
Roy Andersson
Trivia, insights & behind the scenes
Andersson spent years running his own commercial production company to fund this, his first feature in 25 years.
This launched Andersson's 'Living' trilogy and made him Sweden's most internationally recognized auteur since Bergman.
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters