In this modern-day vision of Mother Mary's pilgrimage, a woman crosses the American Southwest playfully deconstructing the woman’s role in a world of roles.
Direction
Rowlson-Hall choreographs every frame like sacred dance theater.
Cinematography
Magic hour Southwest looks like a Instagram filter from God.
Costume
Ma's white dress evolution tells the whole story silently.
Director
Celia Rowlson-Hall
Trivia, insights & behind the scenes
Rowlson-Hall comes from experimental dance, not film school — every gesture is choreographed emotion.
The 'TM' truck Ma keeps encountering? Trademark symbolism for a woman trying to own her own image.
US
