

In 18th-century France, a young man masquerades as an actor to avenge his friend's murder.
Stunts
Stewart Granger did most of his own fencing—eight minutes, one take ambition.
Costume
Wardrobe budget could've fed a small revolutionary army.
Cinematography
MGM's saturated Technicolor makes betrayal look gorgeous.

Director
George Sidney
Trivia, insights & behind the scenes
The climactic duel was shot in a single continuous eight-minute take—unheard of for 1952, and still one of cinema's longest sword fights.
This was MGM's apology to audiences for delaying their next biblical epic; they basically said 'here, have attractive people in wigs stabbing each other.'