The wife of an industrialist who doesn't care about her creates a plot with her cousin to make him jealous.
Acting
Logothetidis masters the slow-burn tantrum
Costume
Mid-century Athens glamour on point
Writing
Tzavellas' dialogue cuts like ouzo

Director
Yorgos Tzavellas
Trivia, insights & behind the scenes
This was Tzavellas' commercial peak, adapting a French boulevard play for Greek audiences still navigating post-war modernization.
Livykou reportedly fought for Lela's final scene to stay ambiguous rather than fully redeemed—a rare feminist victory in 1956 Greek cinema.
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