A wacky tale of two guys, one Korean and one Japanese who, mistaken for a couple of murderers, take to their heels, thus starting off a adrenaline-pumping (and often zany) adventure with a distorted sense of time.
Direction
Zeze's fractured timeline keeps you gloriously disoriented.
Writing
Cultural friction played for laughs, not lectures.

Director
Takahisa Zeze
Trivia, insights & behind the scenes
Made during a thaw in Korea-Japan relations, the film weaponizes historical tension for slapstick — a bold move that only works because the leads commit completely.
Yunjin Kim shot this right before LOST made her globally famous; her raw comedic timing here shocked casting directors who only knew her from melodramas.