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A fever dream through 500 years of Mexican history—no plot, all poetry, pure cinematic hypnosis.
TMDB
56
IMDb
69
Google
80

Baroque (1989)

experimentalsensory overloadhistory as hallucination

Overview

DramaDocumentaryHistoryMusic

A series of images, music and sounds which transport through Mexico's history, without any narrative sequence. The film spins constantly round the question 'Where are the singers from?'

Flag of MXMXSpanish
Content warning
based on novel or book
colonial traumacultural memoryidentity erasureart as resistance

Standout Aspects

Cinematography

Every frame looks stolen from a decaying cathedral.

Score

Silvio Rodríguez's music haunts like ancestral ghosts.

Direction

Leduc refuses to hold your hand—liberating and terrifying.

Best for:Solo: Late night, headphones, surrender all expectations.·Rewatch: Demands multiple viewings to unlock its secrets.
Heads up:Disturbing: Unflinching colonial violence depicted in ritualistic, abstract ways.
P

Director

Paul Leduc

ReleasedOct 10, 1989
Runtime1h 55m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy
ICAIC
Ópalo Films

Top Cast

Francisco Rabal

Francisco Rabal

El Hispano

Ángela Molina

Ángela Molina

La Sefardita

Ernesto Gómez Cruz

Ernesto Gómez Cruz

El Indiano

Roberto Sosa

Roberto Sosa

Alter Ego

Silvio Rodríguez

Silvio Rodríguez

Self

Pablo Milanés

Pablo Milanés

Self

Ask about Baroque

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Based on José Lezama Lima's impenetrable novel 'Paradiso,' itself a monument to Cuban baroque excess. Leduc essentially made a film about failing to adapt it.

Insight

The 'Where are the singers from?' refrain references the Sephardic Jewish diaspora in Mexico—Molina's 'Sefardita' embodies this lost lineage.

Gallery

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