Dino is 23 and dreams of a different life. She has left the mass unemployment of the Swedish provinces in search of happiness in nouveau-riche Oslo just like hundreds of thousands of other young Swedish people. But her new life has reached a deadlock. Dino finds herself stuck in a destructive sprial of temporary jobs, financial difficulties and wild partying. When she starts an extra job as as a housekeeper in a Norwegian middle-class home, she is thrown into a reality very far from her own.
Acting
Kronlöf's raw, unguarded performance — messy, magnetic, real.
Writing
Sandahl's script finds poetry in dead-end jobs and worse decisions.
Direction
Intimate camerawork that refuses to judge its self-destructive heroine.

Director
Ronnie Sandahl
Trivia, insights & behind the scenes
The 'Swedish invasion' of Oslo service jobs is a real phenomenon — young Swedes fleeing unemployment for Norwegian oil wealth, often facing subtle class condescension. The film captures a specific Nordic generational migration rarely depicted on screen.
Bianca Kronlöf was primarily known as a comedian and TV host before this; Sandahl cast her specifically because her public persona made Dino's unraveling more shocking. She won the Guldbagge (Swedish Oscar) for this against type.