

After years of being browbeaten and walked on, a man wakes one day wearing an expressionless mask, fitted with a personality that enables him to take revenge.
Direction
Romero's only non-zombie theatrical feature—weirdly personal.
Practical Effects
That blank mask is simple and genuinely unsettling.
Production
Bruiser magazine office is peak absurd production design.

Director
George A. Romero
Trivia, insights & behind the scenes
Romero wrote this after a painful divorce and called it his 'most autobiographical' film—yes, really.
The Bruiser magazine aesthetic directly mocks 90s lad mags like Maxim; Stormare's character is a barely-fictionalized Condé Nast predator.