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A cigar heist so ridiculous, even Castro's ghost would need a smoke break.

Sticks (1998)

noir-adjacent chaoscriminals who flirt badly90s indie energy

Overview

Sticks is an off-beat noir comedy about a smugglar of Cuban cigars who gets involved, and ultimately falls in love, with a Cuban revolutionary who's in the U.S. trading cigars for guns. The two join forces to sell a large (stolen) shipment of Castro's private label cigar, the famed "El Mariposa", and suddenly they find themselves enmeshed in the seedy underbelly of a mob-run cigar smuggling ring that's being monitored by the feds.

Flag of USUS
capitalism as performancerevolution commodifiedtrust among thievesimmigration and belonging

Standout Aspects

Acting

Lillo Brancato's committed chaos energy before the Sopranos fame.

Production

Genuine cigar knowledge that borders on obsessive.

Writing

Dialogue that thinks it's Chinatown but knows it's Clerks.

Best for:Solo: Late-night discovery for irony-poisoned film nerds.·Friends: When your group loves 'so bad it's good' energy.·Background: Cooking dinner while vaguely paying attention.
Heads up:Language: Casual 90s slurs that aged like milk.·Violence: Mob threats that rarely pay off; more talk than blood.
B

Director

Brett Mayer

ReleasedJan 1, 1998
Runtime1h 32m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feellight

Top Cast

Lillo Brancato

Lillo Brancato

Lenny Prince

Justina Machado

Justina Machado

Maria

Keith Brunsmann

Keith Brunsmann

Mark

David Kriegel

David Kriegel

Jewels

Leo Rossi

Leo Rossi

Domino

Jaime Gomez

Jaime Gomez

Sargento Sanchez

Rebecca Grant

Rebecca Grant

Escort

Orestes Matacena

Orestes Matacena

Tito

Danny Woodburn

Danny Woodburn

Roy

Troy Evans

Troy Evans

Todd

Ask about Sticks

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Director Brett Mayer allegedly financed this through actual cigar industry connections, blurring fiction and his day job.

Cultural

Released during the 1998 cigar boom when Clinton's Lewinsky testimony made stogies suddenly mainstream again — this film rode that wave hard.

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