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A muscle-bound braggart bets he can seduce his boss's wife. Spoiler: feelings are terrible at gambling.
TMDB
80

Collision (1964)

Hungarian machismo meltdowntoxic masculinity autopsy1960s social satire

Overview

Drama

Terpinkó, the bragging man of muscle likes womanising linked with betting: conquering is a great fun for him. He bet one to a hundred on his new boss, Éva. But the wife of the engineer handles all his tricks with annoying benevolence. Terpinkó falls in love with her and therefore he cannot stand her not returning his feelings.

Flag of HUHUHungarian
Content warning
fragile masculinityclass and powerunrequited obsessionperformance of self

Standout Aspects

Acting

Latinovits brings smoldering restraint to every scene.

Direction

Máriássy frames male ego like a tragedy waiting to happen.

Writing

Wager-as-plot-device that actually interrogates itself.

Best for:Solo: For when you want to cringe at a man imploding in real-time.·Rewatch: Layers of irony reveal themselves on second viewing.
Heads up:Sexual Content: Persistent unwanted pursuit framed critically, not endorsed.
Félix Máriássy

Director

Félix Máriássy

ReleasedMay 21, 1964
Runtime1h 38m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Mafilm

Top Cast

István Bujtor

István Bujtor

Gyula Terpinkó

Zoltán Latinovits

Zoltán Latinovits

István Weber

Zsuzsa Balogh

Zsuzsa Balogh

Weber's wife

Éva Szabó

Éva Szabó

Eszter

Tamás Végvári

Tamás Végvári

Csébli Micu

Tibor Molnár

Tibor Molnár

Coach

Lajos Őze

Lajos Őze

Venczel Vera

Venczel Vera

Ferenc Ladányi

Ferenc Ladányi

Sándor Suka

Sándor Suka

Terpinkó's brother-in-law

Sándor Szakács

Sándor Szakács

Szamosi

Ferenc Pethes

Ferenc Pethes

Foreman

Péter Kertész

Péter Kertész

Béla

György Bõsze

György Bõsze

Schilbauer

Ask about Collision

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Part of the 1960s Hungarian 'új hullám' (new wave), this film interrogated socialist-era masculinity when state-sanctioned heroism still demanded stoic male laborers.

Trivia

Director Máriássy died just two years later at 52; Collision remains one of his most psychologically sharp character studies.

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