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A professor's principled 'no' to fascism becomes a masterclass in moral courage.
TMDB
70

Holidays (1973)

quietly devastatingintellectual tensionisland melancholy

Overview

Rossini, history teacher and son of another professor, for his liberal ideas refuses to sign the oath of allegiance to the the fascist regime that Mussolini imposed on the professors university. After a period of imprisonment he is so assigned to confinement on an island. Here the young intellectual finds himself in contact with the composite humanity that populated the places of confinement: militiamen, agents, common and political coercion, villagers. The figure of the director of the colony, the commissioner Rizzuto, stands out among all, who was a pupil of his father, and for whom he continues to have feelings of esteem and devotion.

Flag of ITITItalian
Content warning
moral integrity versus survivalthe banality of bureaucratic evilintellectual isolationgenerational betrayal

Standout Aspects

Acting

Adolfo Celi's Rizzuto: paternal warmth masking institutional rot.

Direction

Leto's unflinching gaze at how ideology hollows out human connection.

Best for:Solo: When you need to sit with uncomfortable questions about complicity.·Streaming: Late night, no interruptions, preferably with wine and existential dread.
Heads up:Disturbing: Psychological coercion and the slow erosion of dignity, not graphic violence.
Marco Leto

Director

Marco Leto

ReleasedJan 2, 1973
Runtime1h 52m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy

Top Cast

Adalberto Maria Merli

Adalberto Maria Merli

Franco Rossini

Adolfo Celi

Adolfo Celi

Commissioner Rizzuto

Milena Vukotić

Milena Vukotić

Daria Rossini

John Steiner

John Steiner

Scagnetti

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Shot during Italy's Years of Lead, the film resonated as contemporary political prisoners still dotted Italian islands. The fascist past was suddenly urgent again.

Insight

Celi, famous as Bond villain Largo, uses that same magnetic stillness here — but weaponized for ambiguity rather than menace. His Rizzuto genuinely believes he's protecting Rossini.

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