

Thwarted by his despotic uncle from continuing his love affair, a young man's thoughts turn dark as he dwells on ways to deal with his uncle. Becoming convinced that murder is merely a natural part of life, he kills his uncle and hides the body. However, the man's conscience awakens; paranoia sets in and nightmarish visions begin to haunt him.
Direction
Griffith's pioneering double exposure nightmares still terrify.
Cinematography
Shadowy interiors that invented visual dread.
Acting
Walthall's trembling guilt without a single spoken word.

Director
D.W. Griffith
Trivia, insights & behind the scenes
Griffith shot this immediately after Birth of a Nation, pivoting from epic racism to intimate guilt—same techniques, wildly different target.
The film adapts Poe's 'The Tell-Tale Heart' AND 'Annabel Lee' while stealing from Dante's Inferno for its hell sequence—literary respect in an era of original screenplays.