120 minutes of pure, unhurried time collapse — avant-garde cinema at its most hypnotic.
A brilliantly constructed, melancholic ode to the passing of time by Malcolm Le Grice.
Direction
Le Grice's mathematical precision meets emotional erosion.
Editing
Loops and superimpositions that destabilize linear time itself.
Sound
Sparse audio design amplifies every frame's material weight.
Director
Malcolm Le Grice
Trivia, insights & behind the scenes
Part of 1970s London Film-Makers' Co-op, this exemplifies 'structural/materialist' film — where the medium itself becomes subject.
The title references both Yeats's 'The Second Coming' and literal film descent through the projector — collapse as both theme and physical process.
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