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A 1956 German melodrama where an old man falls for his secretary—what could possibly go wrong?
TMDB
78
Watch(DE)

Before Sundown (1956)

old-school melodramaclassy soap operapost-war German gloom

Overview

Drama

Based on a play by Gerhardt Hauptmann, the film details a bittersweet May-December romance between ageing Mathias Clausen and young, beautiful Inken Peters.

Flag of DEDEGerman
Content warning
mortality and desireclass and proprietyfamily betrayalthe cost of happiness

Standout Aspects

Acting

Hans Albers carries every frame with weary gravitas.

Direction

Reinhardt stages it like claustrophobic theatre on screen.

Best for:Solo: Rainy afternoon with tissues and existential dread.·Rewatch: Catch the subtle glances you missed first time.
Heads up:Emotional: Terminal illness and doomed romance—hope is not invited.
G

Director

Gottfried Reinhardt

ReleasedJul 6, 1956
Runtime1h 43m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelheavy
CCC Filmkunst

Top Cast

Hans Albers

Hans Albers

Generaldirektor Mathias Clausen

Annemarie Düringer

Annemarie Düringer

Inken Peters

Martin Held

Martin Held

Erich Klamroth

Hannelore Schroth

Hannelore Schroth

Ottilie Klamroth, geb. Clausen

Claus Biederstaedt

Claus Biederstaedt

Egbert Clausen

Maria Becker

Maria Becker

Bettina Clausen

Erich Schellow

Erich Schellow

Wolfgang Clausen

Inge Langen

Inge Langen

Paula Clausen, geb. Rübsamen

Wolfgang Preiss

Wolfgang Preiss

Dr. Hahnefeld, Syndikus der Clausen-Werke

Hans Nielsen

Hans Nielsen

Dr. Steynitz, Sanitätsrat

Johanna Hofer

Johanna Hofer

Frau Peters, Inkens Mutter

Kurt Vespermann

Kurt Vespermann

Wuttke, Fahrer bei Clausen

Ask about Before Sundown

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Hans Albers was Nazi Germany's biggest star; this post-war role was his calculated image rehab. The irony of playing a man judged for his choices wasn't lost on audiences.

Insight

Hauptmann's original 1932 play was banned by the Nazis for 'decadence'—the 1956 film adaptation quietly restored its critique of bourgeois hypocrisy.

Gallery

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