It seems that nothing can ruin Henryk’s (Wieńczysław Gliński) happy life. He’s a respected lawyer with a loving son and wife. One day, he receives a letter from the prosecutor’s office. He’s accused of collaborating with the Gestapo. It’s an echo of his past under occupation.
Acting
Gliński's face as his world crumbles — no histrionics, just hollow.
Direction
Różewicz frames domestic spaces as interrogation rooms.

Director
Stanisław Różewicz
Trivia, insights & behind the scenes
Made during Poland's post-Stalinist thaw, the film obliquely critiques both Nazi and communist-era denunciations.
Różewicz shot largely in real locations around Łódź; the prosecutor's office was an actual government building, lending documentary dread.