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Trapped in 2:15 PM forever — and she's not even the only ghost in town.
TMDB
68

Turn (2001)

liminal dreadquietly unhingedurban loneliness

Overview

FantasyDrama

Maki is a talented copper plate artist, however, just before her first gallery show, she gets struck by a truck. When she comes to she is at home. When she ventures outside, the city is deserted and she knows something is deeply wrong. Each day repeats; she wakes up at 2:15 in the afternoon. Gradually things start change, the phone rings, and she finds that she is not alone...

Flag of JPJPJapanese
Content warning
isolation in crowdsart as survivalunprocessed grieftime as prison

Standout Aspects

Cinematography

Empty Tokyo streets that haunt you with negative space.

Acting

Riho Makise's silent unraveling — grief without histrionics.

Direction

Hirayama's restraint: horror through mundanity, never spectacle.

Best for:Solo: Late night when you want to feel weirdly alone together.·Streaming: Arthouse streaming rabbit hole — not for multitasking.
Heads up:Emotional: Heavy themes of sudden death and unspoken final goodbyes.·Disturbing: Existential dread, not jump scares — lingers for days.
Hideyuki Hirayama

Director

Hideyuki Hirayama

ReleasedOct 13, 2001
Runtime1h 52m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy

Top Cast

Riho Makise

Riho Makise

Mori Maki

Kantarô Nakamura

Kantarô Nakamura

Izumi Youhei

Mitsuko Baisho

Mitsuko Baisho

Mori Satoko

Kazuki Kitamura

Kazuki Kitamura

Kakizaki Kiyotaka

Akira Emoto

Akira Emoto

Matsubara

Yoneko Matsukane

Yoneko Matsukane

Fumiyo Kohinata

Fumiyo Kohinata

Asako Kobayashi

Asako Kobayashi

Ayako Kawahara

Ayako Kawahara

Yukari

Junpei Morita

Junpei Morita

Ask about Turn

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Turn (2001) arrived during Japan's 'J-horror' boom but rejected its conventions — no vengeful spirits, just quiet urban alienation that predicted pandemic-era isolation films.

Insight

Director Hirayama insisted on shooting during actual empty hours (dawn, holidays) rather than clearing streets — the eerie authenticity of deserted Tokyo is documentary, not digital.

Gallery

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