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A little person runs a circus while everyone underestimates him—Pre-Code Hollywood at its most deliciously subversive.
TMDB
90

The Sideshow (1928)

forgotten gemPre-Code edgecarnival noir

Overview

Drama

Melrose's circus is being threatened by his competitor, who's angry that Melrose has outmanuevered him in bookings; what he doesn't know is that the competitor has also planted a saboteur who creates accidents in hopes of reducing the value of the circus. Meanwhile, he's also hired a beautiful young woman as the magician's assistant, with eyes toward more - but he realizes that, as a midget, she won't have him.

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Content warning
circus
perception versus realityeconomic desperationperformative identityableism and desire

Standout Aspects

Acting

Little Billy Rhodes carries the film with magnetic authority.

Production

Authentic circus atmosphere, shot on location with real performers.

Best for:Solo: Late night discovery of Hollywood's buried past.·Rewatch: Spotting what censors missed before 1934.
Erle C. Kenton

Director

Erle C. Kenton

ReleasedDec 11, 1928
Runtime1h 20m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
Columbia Pictures

Top Cast

Marie Prevost

Marie Prevost

Queenie Parker

Ralph Graves

Ralph Graves

Gentleman Ted Rogers

'Little Billy' Rhodes

'Little Billy' Rhodes

P.W. Melrose (as Little Billy)

Alan Roscoe

Alan Roscoe

Ghandi

Pat Harmon

Pat Harmon

Bowen (the canvas boss)

Ask about The Sideshow

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during Hollywood's brief Pre-Code window, this is one of the few films of the era to cast a little person as a fully dimensional romantic protagonist rather than comic relief or fantasy creature.

Insight

Director Erle C. Kenton would later helm Island of Lost Souls (1932), another film obsessed with bodily autonomy and who gets to be considered 'human'—this was clearly his jam.

Gallery

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