

When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.
Acting
Robinson's volcanic little man energy crammed into a monk's habit.
Writing
Gangster slang colliding with monastery earnestness = accidental poetry.

Director
Lloyd Bacon
Trivia, insights & behind the scenes
This was Robinson's fourth gangster film in two years—he was actively trying to escape typecasting even while playing another mobster.
The 'reformed gangster' subgenre exploded post-1934 Production Code, letting studios have their violence and moralize it too.
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