

Two parallel stories about people trapped in illogical endless spaces: two brothers and a detective locked on an infinite staircase, and a family locked on an infinite road... for over 35 years.
Direction
Ezban's suffocating geometric framing traps you with them
Production
Impossibly simple sets that become cosmic horror
Writing
Dialogue that repeats until it becomes maddening poetry

Director
Isaac Ezban
Trivia, insights & behind the scenes
Ezban shot both timelines simultaneously on the same sets, rotating the floor and wall panels to create the infinite illusion without green screen.
The film is part of Mexico's 'fantastic cinema' wave—Ezban specifically wanted to prove Latin American sci-fi could be philosophical without Hollywood budgets.