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The worst-rated music movie ever? A 1.0/10 disco disaster so bad it's legendary.
TMDB
50

Getting Over (1981)

so-bad-it's-goodblaxploitation-litedisco fever dream

Overview

ComedyMusic

Senor Daniels stars as Mike, a man with a dream of making it big in the music industry. He gets conned by a bigoted board chairman, and has his label, 'Impossibly Funky Records' taken over. As surmised by Alllmovie, this tuneful drama features the rock group Love Machine as it tells the tale of a record promoter hired by a crooked producer to fulfill affirmative action quotas. It is the hard-working, independent-minded promoter who discovers and develops the Love Machine, an all female group. The trouble begins when the group's lead singer is kidnapped and the promoter learns that his employer's label is really a front for the mob.

Flag of USUS
Content warning
corporate exploitationtokenism in entertainmentmob infiltration of Black businessartistic integrity vs. commerce

Standout Aspects

Sound

Love Machine's fictional disco tracks — genuinely funkier than expected.

Production

The chaotic energy of a 1981 indie film made on someone's last dime.

Best for:Friends: Mystery Science Theater-style roast night with fellow bad-movie masochists.·Background: Ironically while cleaning — you'll look up constantly wondering what just happened.·Rewatch: Only if you're doing a 'worst films ever' podcast episode.
Heads up:Language: Casual bigotry played for plot; dated racial stereotypes throughout.·Violence: Kidnapping scene with mild physical threat; mob henchmen menace.
B

Director

Bernie Rollins

ReleasedApr 24, 1981
Runtime1h 48m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonemixed
Feellight
Continental Films (US)

Top Cast

Mabel King

Mabel King

Mabel Queen

Don Edmonds

Don Edmonds

Leon Millstine

John F. Goff

John F. Goff

Arnold Stanfield Stone

Garth Pillsbury

Garth Pillsbury

Executive #5

Ask about Getting Over

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Deep Dive

Trivia, insights & behind the scenes

Trivia

Director Bernie Rollins made only this one feature before vanishing from Hollywood entirely; some suspect 'Bernie Rollins' was a pseudonym.

Cultural

The 'affirmative action quota' plot reflects real 1970s-80s industry tokenism, but the film's clumsy handling made it a time capsule of well-meaning failure.

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