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The original bad boy redemption arc — 1914 edition. Hart's smolder invented the Western antihero.
TMDB
56
IMDb
65

The Bargain (1914)

silent swaggermoral murkdusty romance

Overview

AdventureActionRomanceWestern

After the bandit known as the Two-Gun Man Jim Stokes robs the stage, he is wounded in his flight from the scene. Recuperating at a ranch, he falls in love with a local settler's daughter. Now wishing to go straight, Stokes encounters trouble when the Sheriff-- not entirely incorruptible-- Catches wind of his location.

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Content warning
redemption through lovecorrupted justiceoutlaw identitycivilization vs wilderness

Standout Aspects

Acting

Hart's physical storytelling — no voice, all presence.

Direction

Barker's location shooting in California valleys.

Cinematography

Griffith alumnus Walter Pritchard's landscape compositions.

Best for:Solo: Silent film appreciation night with actual attention span required.·Friends: Film history nerds who need to see where the Western began.·Rewatch: Spotting every Hart micro-expression that sold this genre.
Heads up:Violence: Stagecoach robbery gunplay, somewhat stylized.·Triggers: Outdated Native American representation typical of era.
Reginald Barker

Director

Reginald Barker

ReleasedDec 3, 1914
Runtime1h 20m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium
New York Motion Picture

Top Cast

William S. Hart

William S. Hart

Jim Stokes

J. Frank Burke

J. Frank Burke

Sheriff Bud Walsh

Clara Williams

Clara Williams

Nell Brent

J. Barney Sherry

J. Barney Sherry

Phil Brent

Joseph J. Dowling

Joseph J. Dowling

Rev. Joshua Wilkes

Charles K. French

Charles K. French

Bartender

Herschel Mayall

Herschel Mayall

Gambler

Charles Swickard

Charles Swickard

Miner

Leo Willis

Leo Willis

Sheriff's Deputy

Fritz the Horse

Fritz the Horse

Fritz the Horse

Ask about The Bargain

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Trivia

This was Hart's first feature after years of two-reel shorts, proving audiences would sit for feature-length Westerns.

Cultural

Hart insisted on authentic cowboy gear and real locations, inventing the 'realistic Western' that separated cinema from pulp fiction.

Gallery

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