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Five women flip the script on Italian machismo — with sex, scams, and zero apologies.
TMDB
63
IMDb
51

Chi dice donna, dice donna (1976)

sexy farcefeminist satireanthology chaos

Overview

Comedy

Film in five episodes on the female universe. Among the women portrayed, neglected wives who become prostitutes, a worker who improvises a sexy bomb and a priestess who gives herself as wife to an emigrant.

Flag of ITITItalian
Content warning

Standout Aspects

Acting

Stéphane Audran classes up the sleaze; Françoise Fabian commits fully.

Costume

Lingerie as armor, polyester as tragedy — 1970s Italian fashion in full glory.

Direction

Cervi balances titillation with actual bite in the final two episodes.

Best for:Date Night: When you want 'art house' cover for basically watching softcore together.·Friends: Drinking game: sip every time a man gets humiliated.·Solo: Curiosity killed the cat, satisfaction brought it back.
Heads up:Sexual Content: Frequent nudity and simulated sex across all five segments.·Triggers: Episode 3 involves a woman faking sexual interest to manipulate men; played for comedy but dated.
T

Director

Tonino Cervi

ReleasedFeb 11, 1976
Runtime1h 50m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelmedium

Top Cast

Stéphane Audran

Stéphane Audran

Mimì / Chantal

Françoise Fabian

Françoise Fabian

Bella / Lulù

Jacques François

Jacques François

Charles

Giovanna Ralli

Giovanna Ralli

La signorina X

Franco Citti

Franco Citti

Benito

Aldo Giuffrè

Aldo Giuffrè

Il commissario

Adriana Asti

Adriana Asti

Anna Bargagli

Rita Savagnone

Rita Savagnone

Voce

Lea Massari

Lea Massari

Gilbert

Gigi Proietti

Gigi Proietti

Sonia / Filippo

Janet Ågren

Janet Ågren

Anita

José Luis de Vilallonga

José Luis de Vilallonga

Louis

Piero Nuti

Piero Nuti

Cliente vestito da suora

Luigi Zerbinati

Luigi Zerbinati

Vecchio architetto

Angelo Pellegrino

Angelo Pellegrino

Il mitomane

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Part of Italy's 1970s 'commedia sexy all'italiana' boom — films that used 'female perspective' as cover for exploitation, though some (like this) had genuine satirical teeth.

Trivia

Stéphane Audran was married to Claude Chabrol and had just won acclaim in 'Le Boucher'; her presence here was a deliberate career swerve into commercial territory.

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