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Office drones vs. yakuza: the ultimate team-building exercise goes wrong.
TMDB
63
Watch(JP)

Nobody (1994)

neon-noir mayhemsuit-and-tie savagery90s VHS energy

Overview

ActionDramaThriller

Three elite salarymen find themselves in a bar fight with a group of threatening but mysterious men. When the mystery men come looking for revenge, the salarymen find themselves embroiled in a deadly game...

Flag of JPJPJapanese
Content warning
masculine identity in crisisthe violence beneath respectabilityloyalty tested by bloodescalation as addiction

Standout Aspects

Acting

Katō's unraveling composure is a masterclass in repressed rage.

Direction

Ohkawa turns every alley into a claustrophobic nightmare.

Practical Effects

No CGI—every punch lands with ugly, satisfying weight.

Best for:Friends: Late night with people who appreciate chaotic energy.·Rewatch: Catch every nervous sweat drop on second viewing.·Solo: When you need to feel alive at 2am.
Heads up:Violence: Brutal, intimate beatings—never stylized, always exhausting.·Disturbing: Psychological cruelty between 'friends' cuts deeper than blades.
Toshimichi Ohkawa

Director

Toshimichi Ohkawa

ReleasedMay 28, 1994
Runtime1h 40m
StatusReleased

Vibe

Pacefast
Intensityhigh
Tonedark
Feelmedium

Top Cast

Masaya Katō

Masaya Katō

Taki

Riki Takeuchi

Riki Takeuchi

Nanbu

Hideo Nakano

Hideo Nakano

Konishi

Kenichi Endo

Kenichi Endo

Jippo

Wataru Shihôdô

Wataru Shihôdô

Jinpachi Nezu

Jinpachi Nezu

Detective Karaki

Yumi Nishiyama

Yumi Nishiyama

Reiko

Kazuyoshi Ozawa

Kazuyoshi Ozawa

Shun Sugata

Shun Sugata

Andre

Andre

Takashi Matsuyama

Takashi Matsuyama

Keiko Hirota

Keiko Hirota

Ask about Nobody

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

Released during Japan's 'Lost Decade,' the film channels salaryman anxiety into explosive violence—corporate warriors finally finding an enemy they can hit back.

Trivia

Riki Takeuchi reportedly improvised the pool hall monologue; Ohkawa kept rolling for six minutes. The cut version in some prints loses the scene's unraveling desperation.

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