

A young woman living in Manhattan pretends to be the mother of an infant in order to get a seat on the subway.
Acting
Betsy Drake's deadpan desperation sells the absurd premise.
Costume
Mid-century Manhattan fashion porn in every frame.
Director
Bretaigne Windust
Trivia, insights & behind the scenes
Betsy Drake was Cary Grant's third wife; this was her second film and rare leading role before she abandoned Hollywood for psychiatric nursing.
The subway seat desperation was real—women with babies got priority seating, making Patsy's scheme weirdly practical 1950s social hacking.
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters