Peru, early 2000s. Alfonso wants to be a writer, but he decides to work first as a journalist. He is assigned to the crime section of a newspaper, a job from which he can know the nasty guts of tabloid publications.
Direction
Lombardi's unsentimental eye for institutional rot.
Acting
Ciccia's slow suffocation of youthful hope.
Writing
Dialogue that weaponizes journalistic detachment.
Director
Francisco J. Lombardi
Trivia, insights & behind the scenes
Shot during Peru's post-Fujimori chaos, the film mirrors real tabloid culture where 'prensa roja' sensationalized violence for working-class readers.
Lombardi cast actual crime reporters as extras; several later said the film captured their moral numbness too accurately.
ES
