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Italian '90s sex comedy where everyone's climbing the ladder one compromising situation at a time.
TMDB
31
Google
52

Crazy Underwear (1992)

sleazy satirecareerist chaosvintage Euro-trash

Overview

Comedy

Alessia, a TV showgirl, tries to win the favor of an official. Amalia, a morning show host, satisfies the masochistic director in order to go to prime time. Stefania "works hard" to act in a risqué film by a famous director, but the part is stolen from her by her friend Beatrice, apparently only devoted to her studies.

Flag of ITITItalian
Content warning

Standout Aspects

Costume

Gloriously tacky '90s Italian fashion crimes.

Acting

Monica Guerritore commits harder than this deserves.

Best for:Solo: Late night curiosity viewing with low expectations.·Background: Fold laundry to chaotic Italian energy.·Rewatch: For '90s Euro-cinema completists only.
Heads up:Sexual Content: Constant nudity and transactional sex as comedy premise.
Roberto D'Agostino

Director

Roberto D'Agostino

ReleasedFeb 4, 1992
Runtime1h 37m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonelight
Feellight
Penta Distribuzione

Top Cast

Monica Guerritore

Monica Guerritore

Amalia

Eva Grimaldi

Eva Grimaldi

Stefania

Marisa Merlini

Marisa Merlini

Alessia's aunt

Barbara Kero

Barbara Kero

Beatrice

Debora Calì

Debora Calì

Alessia (credited as Deborah Calì)

Venantino Venantini

Venantino Venantini

Alessia's father

Luigi Petrucci

Luigi Petrucci

Rossi

Irma Capece Minutolo

Irma Capece Minutolo

Alessia's mother

Delia D'Alberti

Delia D'Alberti

Adriana

Aldo Ralli

Aldo Ralli

Nando Crass

Giovanni Visentin

Giovanni Visentin

Art critic

Sergio Vastano

Sergio Vastano

Show presenter

Emidio La Vella

Emidio La Vella

Angelo Chicchi

Ask about Crazy Underwear

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Part of Italy's 'commedia sexy all'italiana' decline phase, where '70s genre conventions met '90s direct-to-video desperation.

Trivia

Roberto D'Agostino was primarily a gossip journalist; this was his directorial attempt to capitalize on his own media world.

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