A pilgrimage where class warfare meets divine intervention — and nobody's getting saved.
The pilgrimage to the Basilica of Our Lady of Luján causes the meeting of people of different classes.
Direction
Lauric's unflinching eye for social hypocrisy in cramped buses.
Acting
Gómez Cou's simmering resentment as the working-class observer.
Director
Francis Lauric
Trivia, insights & behind the scenes
Shot during Argentina's post-Perón instability, the film was initially banned for 'anti-Catholic sentiment' — the censors missed that it was anti-everyone.
The entire bus sequence was filmed in a single studio set with mirrors to simulate movement; the cast got actually nauseous, which Lauric kept in for authenticity.
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