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Four people, one woman, zero names — civilization collapses in real time.
TMDB
65
IMDb
69
Rotten Tomatoes
86
Audience Score
86
Google
91

Genesis (1986)

slow-burn allegorymicrocosm madnessCommunist poetry

Overview

Drama

This is a simple, straightforward tale about the rise and fall of human civilization that focuses solely on four characters: a farmer (Naseeruddin Shah), a weaver (Om Puri), a trader (M.K. Raina), and a woman (Shabana Azmi). At the beginning of the story, the workers in a decaying village are offered food and water if they work for the local lords. The farmer and the weaver refuse. The farmer grows food for them both, and the weaver creates textiles that uses to barter with an itinerant trader. One day a frightened, lonely woman arrives on the scene and she is taken in by the two men. She cooks and cleans, and before long becomes a source of contention. Meanwhile, the trader is observing these events from the sidelines.

Flag of ININHindi
Content warning
class exploitationgender as commoditythe invention of capitalismcollective downfall

Standout Aspects

Acting

Shah and Puri's wordless power struggle is masterclass.

Direction

Sen strips cinema to its bones — no music, all dread.

Writing

Nameless characters = every civilization, every collapse.

Best for:Solo: When you want to feel quietly devastated.·Rewatch: Second viewing hits different once you see the trap closing.
Heads up:Disturbing: Dehumanization of women as economic object, handled explicitly.·Emotional: Inevitable tragedy; no one wins, especially not you.
Mrinal Sen

Director

Mrinal Sen

ReleasedJun 2, 1986
Runtime1h 45m
StatusReleased

Vibe

Paceslow
Intensitymedium
Tonedark
Feelheavy
Cactus Films
Mrinal Sen Productions

Top Cast

Shabana Azmi

Shabana Azmi

The woman

Naseeruddin Shah

Naseeruddin Shah

The farmer

Om Puri

Om Puri

The weaver

M. K. Raina

M. K. Raina

The trader

Ask about Genesis

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Made during India's Emergency period, the film's unnamed oppressors deliberately evoke faceless authoritarianism.

Insight

Sen called this his 'Biblical' film — the four characters represent labor categories that predate and outlast all political systems.

Gallery

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