

A dead blackmailer, a pact of silence, and one artist who saw too much.
A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website)
Acting
Bogarde's simmering desperation as compromised artist Stephen.
Direction
Allégret's claustrophobic framing traps you with the conspirators.

Director
Marc Allégret
Trivia, insights & behind the scenes
Shot in just four weeks on a shoestring budget, this was Bogarde's warm-up for his darker Victim twelve years later.
The blackmail victim being an artist was code for 'gay' in 1951 British cinema — the Hays Code couldn't touch UK productions, but audiences knew exactly what Stephen's 'compromising letters' meant.