

A reporter (Patricia Neal) suspects the "nice guy" image of a respected Congressman (Van Johnson) is all a facade and sets out to uncover the truth.
Acting
Neal's sharp, weary intelligence cuts through Johnson's polished phoniness.
Writing
Dialogue crackles with pre-Watergate political skepticism.
Director
Robert Pirosh
Trivia, insights & behind the scenes
Released during the Kefauver hearings, it channels real post-war anxiety about political image-making. The film barely made back its budget because audiences wanted their corruption stories louder.
Patricia Neal considered this her warm-up for 'Hud' — she practiced her clipped, intelligent delivery here first. Pirosh won his Oscar for 'Battleground' writing, not this.
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