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A fake athlete, a ranch divorce, and 50 minutes of 1920s chaos—what could go wrong?
TMDB
90

Going Some (1920)

screwball energyWestern mischiefidentity swap farce

Overview

Comedy

Upon observing the adoration that track star Culver Covington receives, his friend, J. Wallingford Speed, decides to impress Helen Blake by also posing as a sprinter. Meanwhile, when Roberta Keap decides to retire to her Western ranch while awaiting her divorce, Speed, Helen and various friends accompany her while her husband Donald takes up residence at the neighboring Gallagher ranch.

Flag of USUS
Content warning
masculine insecurityperformance of selfmarital escape

Standout Aspects

Acting

Cullen Landis commits hard to fake-athlete physical comedy

Production

Ranch location shooting elevates the slapstick stakes

Best for:Solo: Silent film curiosity seekers with 50 minutes to spare·Background: Charming 1920s ambiance while you do literally anything else
Harry Beaumont

Director

Harry Beaumont

ReleasedJul 19, 1920
Runtime50m
StatusReleased

Vibe

Pacefast
Intensitymedium
Tonelight
Feellight
Eminent Authors Pictures Inc

Top Cast

Cullen Landis

Cullen Landis

J. Wallingford Speed

Helen Ferguson

Helen Ferguson

Jean Chapin

Lillian Hall

Lillian Hall

Helen Blake

Lillian Langdon

Lillian Langdon

Miz Gallagher

Kenneth Harlan

Kenneth Harlan

Donald Keap

Ethel Grey Terry

Ethel Grey Terry

Mrs. Roberta Keap

Willard Louis

Willard Louis

Larry Glass

Walter Hiers

Walter Hiers

Berkeley Fresno

Frank Braidwood

Frank Braidwood

Culver Covington

Nelson McDowell

Nelson McDowell

Still Bill Stover

Snitz Edwards

Snitz Edwards

Willie

Hayward Mack

Hayward Mack

Laden

Maurice 'Lefty' Flynn

Maurice 'Lefty' Flynn

Skinner

Ask about Going Some

Opens AI chat

Deep Dive

Trivia, insights & behind the scenes

Cultural

This captures peak 1920s 'athletics craze' when track stars were genuine celebrities and faking athletic prowess was a recognizable social anxiety.

Trivia

Director Harry Beaumont would pivot to musicals and direct Joan Crawford in 'Our Dancing Daughters'—this silent comedy was his training ground for Jazz Age energy.

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