

A boy falls in love with a shopping cart. No, really. It gets weird.
Direction
Hou Chi-jan's patient, observational style
Cinematography
Fluorescent supermarket poetry
Acting
Jay Shih's committed deadpan longing

Director
Hou Chi-jan
Trivia, insights & behind the scenes
Part of Taiwan's 2000s 'urban fringe' cinema movement exploring lonely young workers in capitalist spaces.
The cart represents Taiwan's exploding consumer culture—his attachment is both parody and genuine grief for human connection lost to commerce.
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