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A doctor steals his assistant's girl, marries her, then... actually grows a conscience?

Escapism (1966)

Iranian melodramamoral mazerepressed longing

Overview

A middle-aged doctor and his young assistant are both smitten with a girl. The girl likes the doctor's assistant, but the doctor, who is deeply in love with the girl, sends the assistant away on some pretext. He then gets closer to the girl and, with the support of her parents, marries her. They have a peaceful life until the assistant returns and the truth comes out. After a series of events, it's ultimately the doctor who steps aside.

Flag of IRIRPersian
unrequited loveclass and age power dynamicsredemption through sacrificesocial expectation vs desire

Standout Aspects

Acting

Forouzan's layered performance as the object of obsession.

Direction

Motiee directs himself in a role that dares you to forgive him.

Best for:Solo: When you want to feel morally conflicted about rooting for the villain.·Streaming: Rare 1960s Iranian cinema you won't find on algorithm feeds.
Heads up:Triggers: Coercive marriage dynamics; age-gap power imbalance.
Naser Malek Motiee

Director

Naser Malek Motiee

ReleasedAug 27, 1966
Runtime1h 55m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonemixed
Feelheavy

Top Cast

Forouzan

Forouzan

Naser Malek Motiee

Naser Malek Motiee

Javad Ghaemmaghami

Javad Ghaemmaghami

Jamshid Mehrdad

Jamshid Mehrdad

Mohammad Taghi Kahnemoui

Mohammad Taghi Kahnemoui

Iran Ghaderi

Iran Ghaderi

Ask about Escapism

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Pre-revolution Iranian cinema often explored class tensions through melodrama; this predates the 1979 revolution by 13 years.

Insight

Motiee's choice to direct himself as the morally compromised doctor suggests deliberate self-critique of patriarchal privilege.

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