One minute of celluloid decay starring a ghost who refuses to fade.
A 16mm portrait of actress Paz de la Huerta, evoking the faded glamour of old cinema. A deteriorated film featuring a Rita Hayworth–type woman trapped in time.
Cinematography
16mm decay as aesthetic—film literally dying before your eyes.
Acting
Paz channels Hayworth's ghost without imitating her.
Director
Pablo Agma
Trivia, insights & behind the scenes
Pablo Agma discovered the 16mm reels in a closed Spanish lab; the chemical damage was already underway, so he built the entire piece around existing decay.
Paz de la Huerta's own career—explosive early promise, industry rejection, cult rediscovery—mirrors the Hayworth archetype so precisely the film becomes accidental autobiography.
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