Cut-outs of war machines and the figure of Napoleon – contributors to an anti-war theme – encounter abstract shapes, line drawings, old-master landscapes, short bursts of ‘real-time’ landscapes and shakily photographed gestural watercolors. … ‘a synthesis of all previous techniques.’
Director
Robert Breer
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters
US
