

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.
Acting
Gabin's physical shift between Lussac and Mirror is masterclass.
Direction
Lamy's shadow work splits the frame like split personalities.
Director
Raymond Lamy
Trivia, insights & behind the scenes
Made during France's moral reckoning with collaboration, the double-life metaphor resonated with audiences who'd hidden their own wartime selves.
Gabin insisted on no makeup distinction between the two identities—he wanted the transformation to live entirely in posture and gaze.